Teo Hernández
Téo Hernández was born on December 23, 1939 in Ciudad Hidalgo, Mexico. After studying architecture, he founded with a friend the CEC (Centro Experimental de Cinematografia), in Mexico City. In 1960, the French Institute of Latin America financed the first project of the group, a documentary that will remain unfinished.
He moved to Paris in 1966. From 1968 to 1975, he made films in super 8 in London, Paris, Morocco and Denmark. Then accompanied by Michel Nedjar with whom he turned "Michel là-bas" in Morocco, he traveled for six years in India, Nepal, Greece ... Back in Paris, he realized Salomé (1976) in the spirit of Oscar Wilde. He meets Gaël Badaud, with whom he begins a long series of collaborations where elements of his own experience are incorporated in the films. In 1977, he realized Cristo, which will be part of a trilogy on passion with Cristaux and Lacrima Cristi. In 1980, with his friends (Nedjar, Jakobois and Badaud) he founded the group MétroBarbèsRochechou Art.
| Known For | Directing |
|---|---|
| Most Rating | 2.275 |
| Birthday | 1939-12-23 |
| Place of Birth | Ciudad Hidalgo, Michoacán, Mexico |
| Also Known As | Teodoro Hernández, Téo Hernandez, |
1978
Cinématon
4.3/6
Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 y...
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Cinématon
1980
Au cœur du cristal
0/0
The song composed by the author modulates the phases of the film and constitutes, in its entirety, the specific form of a call.
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Au cœur du cristal
1977
Cristo
2.5/2
All of history, that of Christ or any other, permeates the world, leaves its mark, modifying and informing history, and all that the human reproduces...
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Cristo
1979
Tables d'hiver
6/1
Winter 1978-1979: In his signature style, Hernández films hearty meals, long afternoons and candlelit dalliances inside his residence on rue des Entre...
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Tables d'hiver
1983
4 à 4 Métro-Barbès-Rochechou-Art
6/1
In the early '80s, this collective of artists invented a style of cinema made in 4 hands, where each of the protagonists is also a filmmaker.
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4 à 4 Métro-Barbès-Rochechou-Art
1983
Three Drops of Mezcal in a Glass of Champagne
0/0
An autobiographical black-and-white short in which Teo Hernández portrays his Purépecha father by holding backlit old photographs atop the Montparnass...
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Three Drops of Mezcal in a Glass of Champagne
1979
Ephemeral
0/0
The construction of the film outlines the successive steps of a path that, as we move forward, reveals the different stages of its presentation: the m...
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Ephemeral
1987
Fragments
0/0
Eyes and ears travel discontinuously through everyday life and the sub-worlds of the city and the body. A fragmented and subjective day-to-day chronic...
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Fragments
1983
Bouquet of Eyes
0/0
Through the use of portraits, shadow play and reflections, this series of exercises with and from body language compose a "four-handed" look against t...
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Bouquet of Eyes
2014
Mes films commencent au moment où les autres se terminent (Conversation avec Teo Hernandez I)
0/0
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Mes films commencent au moment où les autres se terminent (Conversation avec Teo Hernandez I)
2014
Teo Hernandez sur Radio Ark en Ciel
0/0
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Teo Hernandez sur Radio Ark en Ciel
2014
Un cinéaste qui ne tient pas la caméra est comme un peintre qui ne tient pas le pinceau (Conversation avec Teo Hernandez II)
0/0
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Un cinéaste qui ne tient pas la caméra est comme un peintre qui ne tient pas le pinceau (Conversation avec Teo Hernandez II)
2011
Nuits transparentes
0/0
Strolling through France (Roanne, Nice and Carcassonne) with some excursions abroad (Munich, Montreal, New York).
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Nuits transparentes
1978
Teo
0/0
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Teo
1982
À quoi rêve l'araignée ?
1/1
An autobiographical film that orchestrates the fragments of Michel Nedjar's life, to compose an architecture. The family films shot by his father, pie...
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À quoi rêve l'araignée ?
1981
Sur Graal de T.H.
4.8/5
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Sur Graal de T.H.
1978
Angle
1/1
"ANGLE, with its brief black and white shots, almost always plunging and oblique, of naked bodies or parts of bodies, is a film of rupture. Punctuatio...
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Angle
1981
Sara/Teo
0/0
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Sara/Teo
1977
Le gant de l'autre
1/1
Exploration of bodies. Point, counterpoint. A black glove goes in search of a red glove.
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Le gant de l'autre
1977
Désir
0/0
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Désir
1989
Le chant de l'âme
0/0
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Le chant de l'âme
1987
Le printemps
0/0
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Le printemps
1968
14, Bina Garden
5/3
"In 1968, during a stay in London, I could finally achieved my first film: 14, BINA GARDEN. A camera wanders into the decor of a room ..."
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14, Bina Garden
2004
Téo
0/0
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Téo
1980
La Femme en vert
0/0
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La Femme en vert
1978
J'aime
0/0
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J'aime
1978
Cinématon II
0/0
Reel 2 of Gérard Courant's on-going Cinematon series.
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Cinématon II
Chutes de trois gouttes de mezcal dans une coupe de champagne
0/0
Outtakes from the movie
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Chutes de trois gouttes de mezcal dans une coupe de champagne
1985
Cinématon n°481 : Teo Hernandez
0/0
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Cinématon n°481 : Teo Hernandez
1978
Cinématon n°16 : Teo Hernandez
0/0
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Cinématon n°16 : Teo Hernandez
2021
Les Jours et les Nuits
0/0
I give a methodical account of my film work: the creation of new series (Lire, Trio, Avec Mariola), the shooting of a new feature film (Amours décolor...
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